Bluebird: Blowin' in the wind
Start på AStart på A#Start på BStart på CStart på C#Start på DStart på D#Start på EStart på FStart på F#Start på GStart på G#
D G A DsusD# G# A# D#susE A B EsusF A# C FsusF# B C# F#susG C D GsusG# C# D# G#susA D E AsusA# D# F A#susB E F# BsusC F G CsusC# F# G# C#sus
How many roofs must the sun shine on
D G D D# G# D# E A E F A# F F# B F# G C G G# C# G# A D A A# D# A# B E B C F C C# F# C#
Before we trust in the day?
D G A D D# G# A# D# E A B E F A# C F F# B C# F# G C D G G# C# D# G# A D E A A# D# F A# B E F# B C F G C C# F# G# C#
Yes, n how many blades must spin in the breeze
D G A D# G# A# E A B F A# C F# B C# G C D G# C# D# A D E A# D# F B E F# C F G C# F# G#
Before the coal walks away?
D G A D D# G# A# D# E A B E F A# C F F# B C# F# G C D G G# C# D# G# A D E A A# D# F A# B E F# B C F G C C# F# G# C#
Yes, n how many storms will it take till we know
D G D D# G# D# E A E F A# F F# B F# G C G G# C# G# A D A A# D# A# B E B C F C C# F# C#
That the wind is blowing our way?
G A D Bm G# A# D# Cm A B E C#m A# C F Dm B C# F# D#m C D G Em C# D# G# Fm D E A F#m D# F A# Gm E F# B G#m F G C Am F# G# C# A#m
The answer, my friend, is like the bird in the wind,
G A D G# A# D# A B E A# C F B C# F# C D G C# D# G# D E A D# F A# E F# B F G C F# G# C#
The answer is flyin' in the wind.
D G A DsusD# G# A# D#susE A B EsusF A# C FsusF# B C# F#susG C D GsusG# C# D# G#susA D E AsusA# D# F A#susB E F# BsusC F G CsusC# F# G# C#sus
How many homes must the heat pumps warm
D G D D# G# D# E A E F A# F F# B F# G C G G# C# G# A D A A# D# A# B E B C F C C# F# C#
Before the gas fades away?
D G A D D# G# A# D# E A B E F A# C F F# B C# F# G C D G G# C# D# G# A D E A A# D# F A# B E F# B C F G C C# F# G# C#
Yes, n how many demos must show that it works
D G A D# G# A# E A B F A# C F# B C# G C D G# C# D# A D E A# D# F B E F# C F G C# F# G#
Before sustainable is the way?
D G A D D# G# A# D# E A B E F A# C F F# B C# F# G C D G G# C# D# G# A D E A A# D# F A# B E F# B C F G C C# F# G# C#
Yes, n how many models must learn how to dream
D G D D# G# D# E A E F A# F F# B F# G C G G# C# G# A D A A# D# A# B E B C F C C# F# C#
Before we breathe a new day?
G A D Bm G# A# D# Cm A B E C#m A# C F Dm B C# F# D#m C D G Em C# D# G# Fm D E A F#m D# F A# Gm E F# B G#m F G C Am F# G# C# A#m
The answer, my friend, is solar and wind,
G A D G# A# D# A B E A# C F B C# F# C D G C# D# G# D E A D# F A# E F# B F G C F# G# C#
The answer is solar and wind.
D G A DsusD# G# A# D#susE A B EsusF A# C FsusF# B C# F#susG C D GsusG# C# D# G#susA D E AsusA# D# F A#susB E F# BsusC F G CsusC# F# G# C#sus
How many borders can our blue earth hold
D G D D# G# D# E A E F A# F F# B F# G C G G# C# G# A D A A# D# A# B E B C F C C# F# C#
Before her climate gives way?
D G A D D# G# A# D# E A B E F A# C F F# B C# F# G C D G G# C# D# G# A D E A A# D# F A# B E F# B C F G C C# F# G# C#
Yes, n how many of nine red lines can we cross
D G A D# G# A# E A B F A# C F# B C# G C D G# C# D# A D E A# D# F B E F# C F G C# F# G#
Before the seas turn to grey?
D G A D D# G# A# D# E A B E F A# C F F# B C# F# G C D G G# C# D# G# A D E A A# D# F A# B E F# B C F G C C# F# G# C#
Yes, n how many wings of a bluebird must beat
D G D D# G# D# E A E F A# F F# B F# G C G G# C# G# A D A A# D# A# B E B C F C C# F# C#
Before we live the new day?
G A D Bm G# A# D# Cm A B E C#m A# C F Dm B C# F# D#m C D G Em C# D# G# Fm D E A F#m D# F A# Gm E F# B G#m F G C Am F# G# C# A#m
The answer, my friend, is solar and wind,
G A D G# A# D# A B E A# C F B C# F# C D G C# D# G# D E A D# F A# E F# B F G C F# G# C#
The answer is solar and wind.
Solo scales:Solo scales:Solo scales:Solo scales:Solo scales:Solo scales:Solo scales:Solo scales:Solo scales:Solo scales:Solo scales:Solo scales:
The chord set in your file (D, G, A, Bm, Dsus) is straight D major, soB he chord set in your file (D#, G#, A#, Cm, D#sus) is straight D# major, soBhe chord set in your file (E, A, B, C#m, Esus) is straight E major, soB he chord set in your file (F, A#, C, Dm, Fsus) is straight F major, soBhe chord set in your file (F#, B, C#, D#m, F#sus) is straight F# major, soB he chord set in your file (G, C, D, Em, Gsus) is straight G major, soBhe chord set in your file (G#, C#, D#, Fm, G#sus) is straight G# major, soBhe chord set in your file (A, D, E, F#m, Asus) is straight A major, soB he chord set in your file (A#, D#, F, Gm, A#sus) is straight A# major, soBhe chord set in your file (B, E, F#, G#m, Bsus) is straight B major, soB he chord set in your file (C, F, G, Am, Csus) is straight C major, soBhe chord set in your file (C#, F#, G#, A#m, C#sus) is straight C# major, so
soloing options:soloing options:soloing options:soloing options:soloing options:soloing options:soloing options:soloing options:soloing options:soloing options:soloing options:soloing options:
- D major scale: - D# major scale: - E major scale: - F major scale: - F# major scale: - G major scale: - G# major scale: - A major scale: - A# major scale: - B major scale: - C major scale: - C# major scale:
— D E F# G A B C# D — D# F G G# A# C D D# — E F# G# A B C# D# E — F G A A# C D E F — F# G# A# B C# D# F F# — G A B C D E F# G — G# A# C C# D# F G G# — A B C# D E F# G# A — A# C D D# F G A A# — B C# D# E F# G# A# B — C D E F G A B C — C# D# F F# G# A# C C#
- The default. Fits every chord in the song, gives a melodic, - B he default. F#its every chord in the song, gives a melodic, - Bhe default. Gits every chord in the song, gives a melodic, - B he default. G#its every chord in the song, gives a melodic, - Bhe default. Aits every chord in the song, gives a melodic, - B he default. A#its every chord in the song, gives a melodic, - Bhe default. Bits every chord in the song, gives a melodic, - Bhe default. Cits every chord in the song, gives a melodic, - B he default. C#its every chord in the song, gives a melodic, - Bhe default. Dits every chord in the song, gives a melodic, - B he default. D#its every chord in the song, gives a melodic, - Bhe default. Eits every chord in the song, gives a melodic,
folk-singer feel. Good for following the vocal phrasing. folk-singer feel. G#ood for following the vocal phrasing. folk-singer feel. Aood for following the vocal phrasing. folk-singer feel. A#ood for following the vocal phrasing. folk-singer feel. Bood for following the vocal phrasing. folk-singer feel. Cood for following the vocal phrasing. folk-singer feel. C#ood for following the vocal phrasing. folk-singer feel. Dood for following the vocal phrasing. folk-singer feel. D#ood for following the vocal phrasing. folk-singer feel. Eood for following the vocal phrasing. folk-singer feel. Food for following the vocal phrasing. folk-singer feel. F#ood for following the vocal phrasing.
- D major pentatonic: - D# major pentatonic: - E major pentatonic: - F major pentatonic: - F# major pentatonic: - G major pentatonic: - G# major pentatonic: - A major pentatonic: - A# major pentatonic: - B major pentatonic: - C major pentatonic: - C# major pentatonic:
— D E F# A B — D# F G A# C — E F# G# B C# — F G A C D — F# G# A# C# D# — G A B D E — G# A# C D# F — A B C# E F# — A# C D F G — B C# D# F# G# — C D E G A — C# D# F G# A#
- Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong - Same flavour, fewer notes, almost impossible to play a wrong
one. Best starting point if you just want to riff over the one. Cest starting point if you just want to riff over the one. C#est starting point if you just want to riff over the one. Dest starting point if you just want to riff over the one. D#est starting point if you just want to riff over the one. Eest starting point if you just want to riff over the one. Fest starting point if you just want to riff over the one. F#est starting point if you just want to riff over the one. Gest starting point if you just want to riff over the one. G#est starting point if you just want to riff over the one. Aest starting point if you just want to riff over the one. A#est starting point if you just want to riff over the
changes. changes. changes. changes. changes. changes. changes. changes. changes. changes. changes. changes.
- B minor pentatonic: - C minor pentatonic: - C# minor pentatonic: - D minor pentatonic: - D# minor pentatonic: - E minor pentatonic: - F minor pentatonic: - F# minor pentatonic: - G minor pentatonic: - G# minor pentatonic: - A minor pentatonic: - A# minor pentatonic:
— B D E F# A — C D# F G A# — C# E F# G# B — D F G A C — D# F# G# A# C# — E G A B D — F G# A# C D# — F# A B C# E — G A# C D F — G# B C# D# F# — A C D E G — A# C# D# F G#
- The relative minor, exact same notes as D major pentatonic but - B he relative minor, exact same notes as D# major pentatonic but - Bhe relative minor, exact same notes as E major pentatonic but - B he relative minor, exact same notes as F major pentatonic but - Bhe relative minor, exact same notes as F# major pentatonic but - B he relative minor, exact same notes as G major pentatonic but - Bhe relative minor, exact same notes as G# major pentatonic but - Bhe relative minor, exact same notes as A major pentatonic but - B he relative minor, exact same notes as A# major pentatonic but - Bhe relative minor, exact same notes as B major pentatonic but - B he relative minor, exact same notes as C major pentatonic but - Bhe relative minor, exact same notes as C# major pentatonic but
rooted on B. Gives a more pensive, slightly bluesy ache. Leans rooted on C. G#ives a more pensive, slightly bluesy ache. Leans rooted on C#. Aives a more pensive, slightly bluesy ache. Leans rooted on D. A#ives a more pensive, slightly bluesy ache. Leans rooted on D#. Bives a more pensive, slightly bluesy ache. Leans rooted on E. Cives a more pensive, slightly bluesy ache. Leans rooted on F. C#ives a more pensive, slightly bluesy ache. Leans rooted on F#. Dives a more pensive, slightly bluesy ache. Leans rooted on G. D#ives a more pensive, slightly bluesy ache. Leans rooted on G#. Eives a more pensive, slightly bluesy ache. Leans rooted on A. Fives a more pensive, slightly bluesy ache. Leans rooted on A#. F#ives a more pensive, slightly bluesy ache. Leans
into the contemplative Dylan tone. into the contemplative D#ylan tone. into the contemplative Eylan tone. into the contemplative Fylan tone. into the contemplative F#ylan tone. into the contemplative Gylan tone. into the contemplative G#ylan tone. into the contemplative Aylan tone. into the contemplative A#ylan tone. into the contemplative Bylan tone. into the contemplative Cylan tone. into the contemplative C#ylan tone.
- D mixolydian: - D# mixolydian: - E mixolydian: - F mixolydian: - F# mixolydian: - G mixolydian: - G# mixolydian: - A mixolydian: - A# mixolydian: - B mixolydian: - C mixolydian: - C# mixolydian:
- D E F# G A B C - D# F G G# A# C C# - E F# G# A B C# D - F G A A# C D D# - F# G# A# B C# D# E - G A B C D E F - G# A# C C# D# F F# - A B C# D E F# G - A# C D D# F G G# - B C# D# E F# G# A - C D E F G A A# - C# D# F F# G# A# B
— only if you drop the C# to a C natural; gives a — only if you drop the D to a C# naturalB gives a — only if you drop the D# to a D naturalB gives a — only if you drop the E to a D# naturalB gives a — only if you drop the F to a E naturalB gives a — only if you drop the F# to a F naturalB gives a — only if you drop the G to a F# naturalB gives a — only if you drop the G# to a G naturalB gives a — only if you drop the A to a G# naturalB gives a — only if you drop the A# to a A naturalB gives a — only if you drop the B to a A# naturalB gives a — only if you drop the C to a B naturalB gives a
more modal, drone-y folk colour. Works over D and G but clashes a more modal, drone-y folk colour. Works over D# and G# but clashes a more modal, drone-y folk colour. Works over E and A but clashes a more modal, drone-y folk colour. Works over F and A# but clashes a more modal, drone-y folk colour. Works over F# and B but clashes a more modal, drone-y folk colour. Works over G and C but clashes a more modal, drone-y folk colour. Works over G# and C# but clashes a more modal, drone-y folk colour. Works over A and D but clashes a more modal, drone-y folk colour. Works over A# and D# but clashes a more modal, drone-y folk colour. Works over B and E but clashes a more modal, drone-y folk colour. Works over C and F but clashes a more modal, drone-y folk colour. Works over C# and F# but clashes a
touch with the A chord (which wants C#). Use sparingly. touch with the A# chord (which wants D ). Cse sparingly. touch with the B chord (which wants D#). C se sparingly. touch with the C chord (which wants E ). Cse sparingly. touch with the C# chord (which wants F ). C se sparingly. touch with the D chord (which wants F#). C se sparingly. touch with the D# chord (which wants G ). C se sparingly. touch with the E chord (which wants G#). Cse sparingly. touch with the F chord (which wants A ). Cse sparingly. touch with the F# chord (which wants A#). C se sparingly. touch with the G chord (which wants B ). Cse sparingly. touch with the G# chord (which wants C ). C se sparingly.
Practical pick: noodle in D major pentatonic for the verse, slide intoG ractical pick: noodle in D# major pentatonic for the verse, slide intoGractical pick: noodle in E major pentatonic for the verse, slide intoGractical pick: noodle in F major pentatonic for the verse, slide intoG ractical pick: noodle in F# major pentatonic for the verse, slide intoGractical pick: noodle in G major pentatonic for the verse, slide intoG ractical pick: noodle in G# major pentatonic for the verse, slide intoGractical pick: noodle in A major pentatonic for the verse, slide intoGractical pick: noodle in A# major pentatonic for the verse, slide intoG ractical pick: noodle in B major pentatonic for the verse, slide intoGractical pick: noodle in C major pentatonic for the verse, slide intoG ractical pick: noodle in C# major pentatonic for the verse, slide into
B minor pentatonic when you want the line to sigh, and pull in the C#C minor pentatonic when you want the line to sigh, and pull in the DC# minor pentatonic when you want the line to sigh, and pull in the D#D minor pentatonic when you want the line to sigh, and pull in the ED# minor pentatonic when you want the line to sigh, and pull in the FE minor pentatonic when you want the line to sigh, and pull in the F#F minor pentatonic when you want the line to sigh, and pull in the GF# minor pentatonic when you want the line to sigh, and pull in the G#G minor pentatonic when you want the line to sigh, and pull in the AG# minor pentatonic when you want the line to sigh, and pull in the A#A minor pentatonic when you want the line to sigh, and pull in the BA# minor pentatonic when you want the line to sigh, and pull in the C
from the full D major scale when you land on or pass through the A chord.from the full D# major scale when you land on or pass through the A# chord.from the full E major scale when you land on or pass through the B chord.from the full F major scale when you land on or pass through the C chord.from the full F# major scale when you land on or pass through the C# chord.from the full G major scale when you land on or pass through the D chord.from the full G# major scale when you land on or pass through the D# chord.from the full A major scale when you land on or pass through the E chord.from the full A# major scale when you land on or pass through the F chord.from the full B major scale when you land on or pass through the F# chord.from the full C major scale when you land on or pass through the G chord.from the full C# major scale when you land on or pass through the G# chord.
If you play harmonica (Dylan's solo instrument here), a G harp playedCf you play harmonica (D#ylan's solo instrument here), a G# harp playedC f you play harmonica (Eylan's solo instrument here), a A harp playedCf you play harmonica (Fylan's solo instrument here), a A# harp playedC f you play harmonica (F#ylan's solo instrument here), a B harp playedCf you play harmonica (Gylan's solo instrument here), a C harp playedC f you play harmonica (G#ylan's solo instrument here), a C# harp playedCf you play harmonica (Aylan's solo instrument here), a D harp playedCf you play harmonica (A#ylan's solo instrument here), a D# harp playedC f you play harmonica (Bylan's solo instrument here), a E harp playedCf you play harmonica (Cylan's solo instrument here), a F harp playedC f you play harmonica (C#ylan's solo instrument here), a F# harp played
in 2nd position gives you D mixolydian naturally — that's the classicin 2nd position gives you D# mixolydian naturally — that's the classicin 2nd position gives you E mixolydian naturally — that's the classicin 2nd position gives you F mixolydian naturally — that's the classicin 2nd position gives you F# mixolydian naturally — that's the classicin 2nd position gives you G mixolydian naturally — that's the classicin 2nd position gives you G# mixolydian naturally — that's the classicin 2nd position gives you A mixolydian naturally — that's the classicin 2nd position gives you A# mixolydian naturally — that's the classicin 2nd position gives you B mixolydian naturally — that's the classicin 2nd position gives you C mixolydian naturally — that's the classicin 2nd position gives you C# mixolydian naturally — that's the classic
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